March 8 & 9, 2008: My little bro Caleb gigs with the Des Moines symphony, playing a bit part in a classical concert as part of an orchestral experiment known as Sympho. The conductor: Paul Haas, a young classical director who's quickly making a name for himself. Sympho's mission: make classical relevant again. The execution: REWIND, a 90-minute, non-stop stream of pieces blended almost seamlessly to keep the audience engaged. "Almost," because at wholly appropriate intervals, the live instrumentation yielded to the electronica stylings of Paul Fowler, who recorded the live sounds, replayed and remixed them with fly-by-wire distortion. The show--for it was a show; with the main orchestra on stage, Mr. Fowler lurking below with his laptop and board, and a small breakaway ensemble sitting behind the audience--was nothing short of wonderful.
And I was there. That was Sunday. Little did I know that Sympho would be the first of many musical coquettes that I would meet this past week. After a couple days in Des Moines, I drove back to Austin with the hope of catching some free day parties at South by Southwest. That hope would be surpassed by the most incredible week of courting live music I've ever experienced. After years spent lacking much in the way of real passion for music, I think I'm falling in love again.
Next time: the Paste Magazine/Stereogum Lounge, Del the Funky Homosapien, and more.
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